Indigo Extravaganza! Segment THREE
THREE SESSIONS, two hours each, introducing you to a broad range of resist techniques in combination with all of the indigo production methods covered in the earlier sessions.The Zoom recording of the class session is now available for download. You will be welcome to email John questions that pertain to Segment Four, as the need arises.
3 – A Rice Paste Resist and Indigo Rice paste is my resist of choice. I use it in almost all my work. It’s water soluble and totally non-polluting, and ideally suited to using with indigo. In this section, I’ll share with you a myriad of ways to make use of its properties in your artistic endeavors.
3 – B Clamp Resist and Indigo Clamp resist is one of the several classic techniques used in association with indigo. It’s low-tech and yet allows for complex and nuanced designs.
3 – C Tsujigahana – Combining Shibori Techniques with Stencils and Direct Painting Tsujigahana combines the soft edges of shibori with the refreshing clarity of sharply painted details and softened blushes of color applied through stencils. Made famous in the West by the artist Itchiku Kubota, John will share with you all of the guarded secrets of this ancient process. |
Indigo Extravaganza! Segment THREE
Additional Information
The Zoom-format sessions will be recorded and made available to participants for one month after the last day of class. Participants are encouraged to download and keep the recordings for future reference.John Marshall reserves the right to cancel classes in the unlikely event of an emmergency or circumstances beyond his control. If a class is cancelled, John will plan to reschedule, however, his responsibility and liability are limited to a refund of class fees.